Richard Strauss Elisabeth Söderström Glyndebourne Festival Opera London Philharmonic Orchestra Sir John Pritchard
Intermezzo

Over the better half of a decade, Time is Away, the London-based duo of Jack Rollo and Elaine Tierney, have made tender and heartfelt transmissions through countless mixes, sound works, live appearances and radio. Exploring deeply human themes of memory, persistence and resistance using an assemblage of source material, the duo’s unique mode of storytelling culminates in Ballads, a new suite of songs and, significantly, their first officially licensed compilation.From the opening notes of Horvitz Morris Previte Trio’s jazz romanticism to Gilles Chabenat and Frédéric Paris’s lively reimagined standard, the haunting vocal seance of Tanto Pressanto and the mesmerising swirls of The Unthanks, Yuko Kono and Rachel Bonch-Bruevich, the spirit of Ballads roams through generations of affectionate songwriting and conjures images both candid and surreal. The voice of poet and longtime collaborator Christina Petrie appears briefly and contemplates the “sighs and replies… the space between verses” of the Ballad, its beauty, its place in our lives. What is the Ballad but a reflection of our soul? “Perhaps I’ll wander in search of it”, she bittersweetly concedes.At the suite’s cusp is an alternate version of David Lang’s 'just (after song of songs)’, a thirteen-minute meditation on devotion that originally featured in Paolo Sorrentino’s Youth (2015). The track’s universal themes of faith and desire radiate throughout and elucidate Time is Away’s peerlessly precise yet gossamer touch.Four dancing steps, one after the other, leading to a turn.Four biting lines, one after the other, leading to a twist.Through the sighs and replies of the ballad form, a shape persists – four and then four and then four and then four, on into the distance. Between one thorn tree and the next, in the space between verses, perhaps I’ll find the ballad of my life, and live to hear it. Or perhaps I’ll wander in search of it, drifting through the unfurling lines, and defer my poignant fate. Time is Away is Jack Rollo and Elaine Tierney, two visionary storytellers who map personal, poetic and sometimes playful dérives through the histories of their imagination. The voice is an instrument, a letter from home, the colour of pomegranates... pastoral mysteries and idyllic myths weaved from an inventory of dreams.

Almost four decades since it’s domestic release, Karen Marks’ 1981 single Cold Café has finally reaped it’s deserved international credit to become one of Australia's most recognised minimal wave recordings. Efficient Space now showcases the Melbourne artist’s brief but entire discography, including two previously unheard demos, all produced with experimental synthesist Ash Wednesday (The Metronomes, Modern Jazz, Thealonian Music).A rarity in the then male dominated industry, Marks found her footing in music, first through rock journalism and then in band management. Formally of Adelaide, newly arrived synth-punks JAB (Johnny Crash, Ash Wednesday and Bodhan X) approached her for representation, subsequently contributing tracks to seminal 1978 snapshot Lethal Weapons and playing the Crystal Ballroom's opening night. Wednesday and Crash would soon dissolve JAB, enlisting Mark Ferry and Sean Kelly to create Models. Still under Mark's management, Models became one of the fastest rising new bands of the punk movement, playing to full houses of dedicated and frenzied fans everywhere. Sadly, internal frictions forced Wednesday and Marks to leave after two years, with Crash following three months later.Her creative relationship with Wednesday fortified with the co-production of his 1980 machine-pop prank Love By Numbers, her swooning chorus uplifting his deadpan count to 100, before the two collaborated on Marks’ own recording persona. Immortalised by the icy Oz wave of Cold Café, her Astor issued 7” also boasted the caffeinated flip Won't Wear It For Long - a should be hit with guitar from future Icehouse member Robert Kretschmer.Fans know of one more recording - You Bring These Things, a forlorn arrangement of an otherwise unreleased Paul Kelly song, gifted to her by the revered wordsmith. The track only ever appeared on the Astor promotional LP Terra Australis, sinfully alongside Up There Cazaly and Joe Dolce - hard proof that the label grossly misunderstood her talent (Marks recalls their persistent requests to show midriff and cleavage). Locked in a dissatisfying label arrangement and at this stage unwilling to follow her peers to greener pastures overseas, she felt her only way out was to cease all further activities.At the 11th hour of preparing this retrospective, two tracks unexpectedly surfaced via two cassettes - a paranoid demo version of her signature tune Cold Café, and a long-lost fourth song Problem Page. Both living room recordings follow Marks and Wednesday’s ingenious framework of minimal lyrics, minimal chord progressions.