Open today: 09:00 - 17:00

Manuel Franck Pourcel
This Is Digital Recording

This Is Digital Recording
This Is Digital RecordingThis Is Digital RecordingThis Is Digital RecordingThis Is Digital Recording

Catno

EMC.2718 EMC-2718 EMC-2718 EMC.2718

Formats

1x Vinyl LP Album Stereo

Country

Australia

Release date

Jan 1, 1980

Media: NM or M-i
Sleeve: VG

$18*

*Taxes included, shipping price excluded

A1

Manuel - El Rancho Grande

A2

Manuel - Yellow Bird

A3

Manuel - Ob-La-Di, Ob-La-Da

A4

Manuel - Eso Es El Amor

A5

Manuel - Barcarolle (From Tales Of Hoffman)

A6

Manuel - Don Valero, It Was Nice To See You

B1

Franck Pourcel - Carmen Overture

B2

Franck Pourcel - Tango

B3

Franck Pourcel - Ritual Fire Dance

B4

Franck Pourcel - Intermezzo (From Cavalleria Rusticana)

Other items you may like:

Initially conceived as a short-run cassette for Altered States Tapes, YL Hooi’s nameless collection of textural apparitions oscillate between icy DIY minimalism, FX-drenched atmospherics and nang chamber dub. A ghost-like transmission, Hooi's voice serves to anchor an array of sonic abstractions and impressionistic melodic motifs as a sense of purgatorial ambience dominates throughout. Co-produced with alleged fellow Kallista Kult member Tarquin Manek (LST, M. Quake), Untitled’s ultimate sensation is its halfway state, as if caught between worlds.The album's final form speaks of its origins, recorded intermittently over a two year period (2017-2019). The extended time passage seeps into the song structures, spiralling and mutating from the same centre - the elegiac pulse of opener 'Title' presages the hymnal lilt of 'Straight Thru', before birthing the inverted bossa nova of 'W/O Love'. The result is a constantly shifting tableaux of shared liminal spaces. These songs seemingly emerge in plumes of smoke, magician's tricks conjured from the ether. It's a vision that ossifies at Untitled's midpoint with a cover of Love Joys' 'Stranger', the lovers rock original morphed into the transportive intimacy of Hooi's own hazy inner space, a totem of the LP’s amorphous and ultimately... morecreditsreleased February 10, 2021
A journey to far outlands: this is exactly what one can feel when listening to Béliz. Entitled Mémoires, the album from the band Béliz, explores new territories where the Guadeloupean musical tradition meets the harmonic universe of the harp. Béliz is the dialogue between the world of classical harpist Anne Bacqueyrisse, percussionist Olivier Maurières and multi-instrumentalist and singer Edmony Krater, fervent supporter of the Gwo Ka, the ancestral musical tradition coming from Guadeloupe. Founder of the band Zepiss, once a member of Robert Oumaou's collective Gwakasonné, Edmony Krater always had the will to open the Ka to other cultures and to incorporate new sounds. Indeed, with Ti Jan Pou Vélo, his tribute album in the memory of Marcel Lollia known as Vélo (one of the greatest drummers of Guadeloupe), released in 1987, Edmony Krater brilliantly mixed jazz-fusion, Occitan folklore, synthesizers with the distinctive Ka rhythms.The meeting of Anne Bacqueyrisse, Olivier Maurières and Edmony Krater at the Music Academy of Montauban, gave birth to Béliz. In 2009 the group of three musicians-teachers, under the impulse of one of their pupils, decided to record in studio their project, Mémoires. Béliz, with its innovative and singular artistic approach, is a true invitation to travel. The title “Arawak É Karayib” is a vibrant tribute to the native West Indian people. “Gwadloup” - an acoustic version of the song already featured on the album Ti Jan Pou Vélo - is an ode to Edmony’s beloved island. “Natibel”, an hymn to Nature - another cover from the Zepiss band – makes sense here in a minimalist version.A true fusional object, Béliz moves us to new horizons, both imaginary and poetic.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.