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Pink Floyd
The Dark Side Of The Moon

The Dark Side Of The Moon
The Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The MoonThe Dark Side Of The Moon

Catno

PFRLP8 PFRLP8

Formats

1x Vinyl LP Album Reissue Remastered Stereo

Country

Europe

Release date

Nov 4, 2016

Genres

Rock

PINK FLOYD / DARK SIDE OF MOON - Vinyl LP. The Dark Side of the Moon is the eighth album by the English rock band Pink Floyd. Originally released on 1 March 1973, on the label Harvest, it built on ideas explored in the band's earlier recordings and live shows, but departs from instrumental thematic by founding member Syd Barrett. The album explores themes including conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state. - Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road in London. The group used some advanced recording techniques at the time, including multitrack recording and tape loops. Analogue synthesizers were prominent in several tracks, and snippets from recorded interviews with Pink Floyd's road crew and others provided philosophical quotations throughout. Engineer Alan Parsons was responsible for many distinctively notable sonic aspects and the recruitment of non-lexical singer Clare Torry. The album's iconic sleeve, designed by Storm Thorgerson, depicts a prism dispersing light into colour and represents the band's lighting, the record's thematic material, and keyboardist Richard Wright's "simple and bold" design request. •Stereo remastered album on heavyweight 180g vinyl •Original UK release date: March 1973 •Certified 15 times platinum in the US and 14 times platinum in the UK •Reached number one in the UK and the US •Topped Billboard Top LPs and Tapes and charted for 741 weeks from 1973 to 1988 •Pink Floyd's most commercially successful album and one of the best selling worldwide 2016 version Remastered from the original analogue tapes by James Guthrie, Joel Plante, and Bernie Grundman

Media: Mi
Sleeve: NM or M-

$55*

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*Taxes included, shipping price excluded

A1

Speak To Me

A2

Breathe (In The Air)

A3

On The Run

A4

Time

A5

The Great Gig In The Sky

B1

Money

B2

Us And Them

B3

Any Colour You Like

B4

Brain Damage

B5

Eclipse

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There's a fun story behind this album, retold in detail in the liner notes. In 1972, Michael Viner was an executive at MGM Records. Asked to put together some music for the soundtrack of an upcoming B-movie horror film, The Thing with Two Heads, he called on songwriter Perry Botkin, Jr., and the two of them whipped up a pair of songs called "Bongo Rock" and "Bongolia." By the middle of 1973, the songs, attributed to the Incredible Bongo Band, began to take off, both in Canada and on the U.S. R&B and pop charts, so Viner and Botkin took the concept to the next obvious level and cut an album, also titled Bongo Rock. Successful enough to scrape into the bottom of the Billboard album chart, the pair put together The Return of the Incredible Bongo Band in 1974 before fizzling out. There are some other pertinent details worth knowing, for example, that Jim Gordon, of Derek & the Dominos fame, was one of the key drummers on the project, and that Ringo Starr supposedly stopped in to bang out a few beats. But some of the best stuff happened long after the demise of the IBB, when early hip-hop DJs such as Kool DJ Herc and Grandmaster Flash, and then the Sugarhill Gang, Massive Attack and others, discovered the Incredible Bongo Band's recordings and began using samples from them. What started as a tossed-off filler session for a crummy flick took on a life of its own. This CD reissue contains not all, but most of the tracks from the two original albums, plus two remixes, "Apache (Grand Master Flash Remix)" and "Last Bongo in Belgium (Breakers Mix)." Interesting as it is to hear how the bongo-centric beats were toyed with by the hip-hoppers, the original recordings stand up on their own as classically kitschy cheese-rock. Bongos aren't the only sound heard, naturally, and fans of both lounge-rock and that crisp, reverby guitar sound prominent in old spy movies and Ventures records will dig what the IBB were all about. Their version of "Apache," the classic '60s instrumental mad